Soundscapes [audio tracks] On-site and online June 4th:
Hum
The sounds of hums, chants, and gospel in the streets. This audio is the combined sounds of travel into a short condensed rhythm, meant to remove you from the present.
Earmaginations [silent videos] On-site and online June 4th:
up above & Dystopic Elmo
Installation and Performance On-site June 4th:
Breathe with the Wind
Installation On-site June 4th:
SNARE DRUM SOLO III
Snare drum solo iii is a 20' tall, free-standing gutter downspout fitted with an electric pump to produce a continuous rhythmic stream of drips. there is no snare drum. but the semantic centering of the title alludes to a specific mode of listening for the audience. some of the trappings of a formal concert are present. folding chairs, spot lights, an "on stage" and an "off stage".
Performance On-site June 4th:
Sovereign State of Mind: Anthem of New Abalonia
wikiGong presents an audiovisual portrait of an unknown maritime nation.
Installation On-site June 4th:
somber calls of the end times
A small intimate sculpture with a screen and headphones playing audio.
Installation On-site June 4th:
Right and Left imBalance
Installation On-site June 4th:
Glazing
"Glazing" describes a process of polishing sand or stone via fire and extreme heat.
Two or more stations along the walking paths throughout Angels Gate, as best fits among the others in the park, using one or more of the following:
Installation On-site June 4th:
Structural Collapse (Land and Sea)
Performance On-site June 4th:
An evening of electronic and experimental music from SynthLab.
A presentation by several performers in the Battery Theater: Cameron Johnston, Cannibalistic Caterpillar, Faraday Cage, Jesse Nason, Putney Swope - Joseph Silva, Qrux, Rychard Cooper, Tobias Banks and José Solares, and visuals by univac
Installation On-site June 4th:
Spatial Sound Activation
A site adapted multichannel sound system with between 5 and 16 loudspeakers (depending on location) and activate this with a number of sound works including but not limited to pre-recorded, live, and hybrid pieces.
