Electronic Countermeasures is a post-disciplinary partnership between artists Kerstin Hovland and Emery Martin. Their work focuses creating immersive performances, experiences and environments using a wide variety of mediums and disciplines including light, sound, video, sculpture, computer programming, augmented reality, and virtual reality.
M. Couronne is a multimedia artist and design professional with a background in avant-garde design.
Leah Shane Dixon is an LA-based artist working with visual music, multimedia collage and a lifelong investigation of color theory.
Forest of Enchantment
Clowns and Fetuses has sonically skewed audiences since 2004 with improvised compositions covering every imaginable obsession. Using synthesizers, theremins, miscellaneous sound generators, random percussion objects and human voices, this ensemble presents themed events celebrating energy nodes of our weird and wonderful world.
In a collaboration that has spanned over a decade, Brian Black and Ryan Bulis have developed the team-like persona known as Brian and Ryan. This artistic duo appropriates iconic activities and forms that challenge preconceptions of communication, masculinity, and identity.
Their installation-based work is site specific and focuses on engaging the audience with familiar forms while making alterations in an inquisitive and playful manner. These alterations transforms spaces and lead viewers to new discoveries about how to communicate within those spaces.
Tube Time Talking
bloodroot is a lunar collective created between gal*in_dog aka Guillermo Galindo and Amber Stucke. Coming from the future, bloodroot creates site specific installations that are activated by performance to open liminal portals with sound, language, and ritual to honor and call to the land, animals, plants, and stars.
Moving Without Being Seen
Dillon Bastan is a Los Angeles based sound artist, developer, music producer, and performer. He creates experiences with sound as art, music, or tools.
Dillon Bastan's artworks use audio reactive servo motors that "dance" to music, and attached to them are media like charcoal, pastel, pens, etc. They in turn dance around a paper and create a drawing.
Michael Arata's work is contentual/contentualism ranging from figurative to abstraction and interactive dotting a lot of “I”s and crossing T”s on the side. The art work Michael produces usually has an initially pleasant visual impact that is generally used as an entry point to reveal a deeper concern, often relating to fashion, sex, religion, politics, and social commentary and personal experiences.
